Francesco Piemontesi
Swiss-Italian pianist Francesco Piemontesi, a native of Locarno, has over the years gained a reputation as one of the leading interpreters of the German classical and romantic repertoire. He appears as a regular guest with many of the world’s leading orchestras, in concert halls and music festivals around the globe, and was Artisitc Director of the Settimane Musicali di Ascona from 2012 to 2024.
With his subtle but mesmerizing interpretations of Schubert’s piano sonatas as well as the solo works and piano concertos of Mozart, Beethoven, Brahms and Liszt, he has been acclaimed internationally by critics and audiences alike. His playing is characterized by sensitivity, intimacy and poetry, but also by power and brilliance. Above all, it is important to him to illuminate the scores from within: “Making music is like a second language for me. It feels like an existential necessity. I don’t want to entertain the audience, I want to let them participate in the deep dimensions of music.”
As a soloist, he has played alongside leading orchestras such as Berlin, New York and Los Angeles Philharmonic Orchestras, Orchestre de Paris, Orchestra dell’Accademia Nazionale di Santa Cecilia, Filarmonica della Scala, Wiener Symphoniker, the Boston, Chicago, NHK and London Symphony Orchestras, the Cleveland Orchestra, San Francisco Symphony Orchestra, Budapest Festival Orchestra, Chamber Orchestra of Europe as well as the Tonhalle-Orchester Zürich. He regularly collaborates with distinguished conductors such as Gianandrea Noseda, Fabio Luisi, Antonio Pappano, Daniele Gatti, Daniele Rustioni, Lorenzo Viotti, Robin Ticciati, Iván Fischer, Mirga Gražinytė-Tyla, Marek Janowski, Joana Mallwitz, Thomas Søndergård, Daniel Harding, Roger Norrington, Karina Canellakis, Paavo Järvi, Zubin Mehta, Nathalie Stutzmann, Elim Chan and Maxim Emelyanychev.
The 25/26 season includes premiering the Beat Furrer Piano Concerto (dedicated to Francesco) with the Orchestre de la Suisse Romande and the Symphonieorchester des Bayerischen Rundfunks Munich, as well as further solo appearances with the Mahler Chamber Orchestra, Orchestre Philharmonique de Radio France, Leipzig Gewandhausorchester, Swedish Radio Symphony Orchestra, Finnish Radio Symphony Orchestra, Royal Scottish National Symphony Orchestra; in North America with the Pittsburgh, Atlanta, Baltimore and Toronto Symphony Orchestras and with the Seoul Philharmonic.
A consummate recitalist, he has recently appeared at the Auditorium Lyon, Rudolfinum/Dvořák Hall, Tonhalle Zurich, Schubertiade Festival, and La Chaux-de-Fonds. This season he performs at the Musikverein, Theatre des Champs-Elysees and at the Wigmore Hall in London, where he is a regular favourite.
In addition to the classical and romantic periods, Francesco Piemontesi’s wider repertoire includes works by Bach and Handel in original versions and transcriptions, piano concertos by Ravel, Debussy, Bartók, Rachmaninov and Schönberg, as well as works by Olivier Messiaen and Unsuk Chin. Among his many important musical influences, he highlights his distinguished teachers Arie Vardi and Alfred Brendel, but above all French concert pianist Cecile Ousset. It is to her that he owes his rounded tone and a somnambulistic technique that is rooted in the French piano tradition going back to Marcel Ciampi.
